A memoir about times so simple that people went out of their ways to complicate things - like by inventing a drive-thru grocery conveyer belt and an atomic toilet. It was the golden age of toasters, fish sticks, and 65-cent colored television. Bill Bryson, who always has me at "the" (or whatever the first word of the book is), re-cemented his status as Love of My Bookshelf with a narrative of the discussion between his parents (and subsequent weirdness involving neighbors) on the pronunciation of "chaise longue."
It is about a time in which people were "indestructible" - carrying echoes of my own aunts and uncles (and future MIL) who cannot abide seat belts in cars and can't believe people pay for bottled water. A time in which new conveniences were fun, if not totally practical or necessary. What blows me away in the first couple of chapters (and is somehow only slightly dampened by air raid drills and a national obsession with atomic bombs) is the feeling of utter and complete safety - an unimaginable luxury in today's world. Not only was a bike helmet probably the stupidest thing you could think of putting on your head (I mean, how are you supposed to feel the wind moving through your hair?), but bombs were being "tested" everywhere - and there was no doubt in America's mind (to the memory of the Thunderbolt Kid) that she would come out on top. We are talking about a short era in which television was the greatest thing about being alive - but unlike today, kids wanted to do other things, too: crawl, climb, taste, quarrel, and explore - in short, fully experience everything around them, mostly unchecked by silly precautions like car seats and warning labels on bleach containers. As Bryson puts it, "What a wonderful world it was. We won't see its like again, I'm afraid."
May 29, 2008
on the edge of a curious happy derangement
scraps
Re-reading Blink. Though I definitely agree that we should place more trust in our intuitions (Gladwell does not hold with the use of the word "intuition," by the way), and though I would pay any amount of money to meet the doc who can size up a couple's future within 15 minutes of meeting them, I was not altogether convinced of the supreme power of rapid cognition (manifesting itself in such forms as "thin-slicing," snap judgments, and that plain old gut feeling) the first read around. Blink was filled with so many fascinating stories and asides that I was able to wolf half of it down while waiting for S to finish his ASSETS test the other night. Maybe, in my haste, I missed something.
Hunted for Gladwell's The Tipping Point at Sam's Club last night ... ended up with Paulo Coelho's The Alchemist, as well as a memoir by the love of my bookshelf, Bill Bryson: The Life and Times of the Thunderbolt Kid.
Side note: I wanted to pay for everything (the books, S's contact solution, and our dinner) with cash instead of the Discover, but when it looked like I would be $3 short, I actually considered putting back the chicken.
I need help.
May 15, 2008
a million miles beyond wrong
Ida B. Applewood and John Taylor Gatto would have such a field day comparing notes over a slice of Macintosh apple pie. From her descriptions of school and the school bus as the "Pit of Sacrificial Agony" and the "Yellow Prison of Propulsion," Ida B is the ultimate poster child for JTG's Pro-Homeschool / Anti-Compulsory Schooling Movement and Assorted Rants on the Subject. The difference is I love JTG's ideology but would probably despise him as a person, whereas I love Ida B completely.
"Government schooling is the most radical adventure in history. It kills the family by monopolizing the best times of childhood and by teaching disrespect for home and parents. The whole blueprint of school procedure is Egyptian, not Greek or Roman. It grows from the theological idea that human value is a scarce thing, represented symbolically by the narrow peak of a pyramid."
An an employee of the DOE, I have a hand in killing the family. Everytime I tag an absence as "unexcused" in the database - because a child has gone on a camping trip with her family (and that's not an acceptable excuse, according to the powers that be) or has stayed home because his father passed away this year and sometimes he just can't deal (also not an acceptable excuse) - I think to myself, how is what I'm teaching more valuable than time spent with her family in the wilderness? What's more educational than spending time outdoors? How is what I'm teaching more important than relocating the feeling of safety he had before his dad died? Why can't I excuse this absence? I can't think of a better place for a kid to be than turning things over in a tidepool or ironing alongside his mom.
"How much more evidence is necessary? Good schools don’t need more money or a longer year; they need real free-market choices, variety that speaks to every need and runs risks. We don’t need a national curriculum or national testing either. Both initiatives arise from ignorance of how people learn or deliberate indifference to it."
Ida B could articulate her unease far better than a lot of kids for whom school is just not right:
"Right then I was wondering if I got in a class for bad children who needed fixing, and my punishment included losing my name and never being able to make a plan again."
"And every day I'd be slower and slower coming back to myself after school was finished."
If that's not what Gatto's talking about, I don't know what is.
May 14, 2008
6 Unspectacular Literary Quirks: v. D_C
(Snagged from LK!)
The first 3 quirks are about me as a reader; the last 3 are about me as a writer.
1. I am a slow-ass reader with an embarrassingly short attention span that's been further stunted through the years by too many ed psych textbooks. The best way to ensure comprehension on the first go-around (e.g. so I am not reading the same graf over and over and over) is to read aloud. This is effective but inconvenient. It is why only the noisiest coffeehouses will have me, and why I look like one of those people (pause while you conjure Einstein-haired girl with canvas book bag and mouth moving in a perpetual mumble) while sitting in traffic.
3. I like reading to people and being read to. Introducing literature by reading to students is one of my favorite things about being an elementary school teacher. This year I've read: Sharon Creech's Replay, Maurice Sendak's Where the Wild Things Are, and countless beginnings of other stories (with the hopes of drawing the kids in to read the novels independently). You can read picture books to fifth graders. You can read novels to fifth graders. Fifth graders can read to you. It's awesome. One of our favorites, which has been read aloud countless times this year: Double Trouble in Walla Walla, by Andrew Clements (the!) - a wonderful mess of onomatopoeia and repetitive, rhyming, alliterative and assonant words and phrases. You can't not read this one aloud.
4. As far as fiction goes, I've only ever finished four short stories. I've stashed countless beginnings, middles, and ends; I have notebooks upon notebooks of, well, notes - on the humanity contained in stolen conversations and constantly-upset assumptions based on trivial observations. I have written seven pieces published under the Features and Editorial sections of the local paper. I blog daily. But finished pieces of fiction: just four shorts.
5. I do my best writing when I'm not supposed to be writing at all. When I should be grading papers, washing dishes, getting in the car to go somewhere important, sleeping because there are only four hours left to the night - these are the times I get the really, really good ideas.
6. I've never even attempted NaNoWriMo. There, I said it. Now go away and leave me alone to wallow in my shame.
May 12, 2008
the rust and the rain endure
Because Joan Didion says so early on in this memoir that one cannot know grief until one is inside it, I feel like this book is for members of a club to which I do not belong. I have grieved certain definite losses - beloved relatives, people I knew from a considerable distance whom I would like to have known better; animal family members who were more human than some people I walk amongst daily. However, I have not experienced the loss of anyone I am intimately close to. Because my family is healthy and I am approaching marriage, I'm stepping into joy, not grief, and I feel almost not in the right place - "yet" - to read this book. However, I cannot stop.
One thing Didion urgently wants you to know is that your family may be healthy, and you may be stepping into the greatest joy you can imagine, but it can all be taken away from you in a heartbeat (or, as she reconsiders, "the lack thereof.") Where I am in the book, this is not a Buddhist-type understanding on her part. She's calm, but not at peace with anything. In fact, she half thinks he might not even be gone, really - and she hangs onto his clothes so that he'll have something to wear if - when - he returns.
Last night I tried to explain this thinking to Scott. "She's not deluded," I said.
"Um ..." he replied.
"Well, no, I guess you'd have to call it a delusion. But what I mean is she just wasn't ready. They really depended on each other, all their married life. So she wasn't ready. But she's not crazy."
And Scott carefully answered, "She sounds crazy." (Very carefully, because of part of an argument we'd had - or maybe it was more like I blew up at him for not regarding me with seriousness, pretty much ever. Stepping headlong into joy, did I mention?) But I couldn't blame him for not understanding the magical thinking - you can't, fully, unless you read the accompanying observations, the small comments, the snippets of Hopkins, all the little pieces that go along with this magical thinking that her love would never die - and should the unthinkable happen, that he would come back and would need a pair of shoes to wear when he did.
This is not so much a memoir about the writer John Dunne as it is a portrait of grief. For me it's also a reminder that as deep as a love can be, the vessel will not always be in your possession. Whichever of you leaves first, love with this knowledge in your heart and mind. I hope the bottom line is that it makes love more precious, not less worth the effort.
Because even before reading this book I have always been interested in the dynamics of marriage and (but separately) loss - another portrait of grief, love, and the beauty of life. Read the blog in its entirety - from heartbreak to peace and everything in between - it is worth every minute you'll spend.
On Love, In Sadness
Oh love, it's a brittle madness - I sing about it in all my sadness
It's not falsified to say that I've found God
Inevitably, well it still exists
So pale and fine I can't dismiss it
I won't resist - and if I die, well, at least I tried.
- Jason Mraz